
A town robbed by nobody, and twenty-six years spent blaming each other.
Technical sheet
Credits
On the morning after New Year’s Eve 2000, an entire Spanish town wakes up to find its bank accounts empty. Not some of them. All of them. The millennium bug takes the blame, because the millennium bug is the only explanation anyone can hold in their head at once.
What the town actually blames, quietly, for the next twenty-six years, is each other. Rosa is certain it was José. Pilar hints that Rosa knows rather more than she is letting on. Everybody has a theory, nobody has proof, and the theories set like concrete.
Twenty-six years later Rosa sits down in front of a camera and decides to tell her version. The series is a mockumentary: talking heads, name cards, and flashbacks that obediently illustrate whoever happens to be speaking — including the parts that cannot all be true at the same time.
Across three episodes it turns out that nobody took the money. It never moved. Álvaro, then a teenager the bank had just refused a loan, had quietly redirected the account pages to fake ones that showed zero. A boy’s prank against a bank manager, which a town turned into a quarter of a century of suspicion.
How it was made
Talking head plus dramatised reenactment is documentary grammar, and it only works if the person on screen stays exactly the same person for five and a half minutes of unbroken close-up. There is nowhere to hide: no cutaway saves a face that drifts.
Álvaro is a teenager in the flashbacks and a middle-aged man in his own interview, and the audience has to make the connection unprompted — because the whole ending depends on it. Ageing a cast in both directions while keeping it recognisable has nothing to do with prompting and everything to do with choosing a face you can build on.
In a mockumentary the flashback does not show what happened — it shows what the person talking says happened. The same night in the bank is filmed more than once, with a different culprit each time, and the images have to be equally convincing every time or the reveal has nothing to land against.
The 5:27 cut is delivered with English subtitles baked in, at 4K. It is the one piece in our catalogue that can be sent to an international festival exactly as it is.
Stills









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Episode 1
Episode 2
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