BoredomStudio
Original series2026

El Secreto de Rosa

A town robbed by nobody, and twenty-six years spent blaming each other.

Technical sheet

Format
3 episodes + short
Runtime
5:27 (short cut)
Genre
Mockumentary
Resolution
4K — 3840×2160
Language
Spanish, English subtitles
Setting
A Spanish town — 2000 → 2026

Credits

Director
Alberto Di Pasquale
Story
The Tech Director

On the morning after New Year’s Eve 2000, an entire Spanish town wakes up to find its bank accounts empty. Not some of them. All of them. The millennium bug takes the blame, because the millennium bug is the only explanation anyone can hold in their head at once.

What the town actually blames, quietly, for the next twenty-six years, is each other. Rosa is certain it was José. Pilar hints that Rosa knows rather more than she is letting on. Everybody has a theory, nobody has proof, and the theories set like concrete.

Twenty-six years later Rosa sits down in front of a camera and decides to tell her version. The series is a mockumentary: talking heads, name cards, and flashbacks that obediently illustrate whoever happens to be speaking — including the parts that cannot all be true at the same time.

Across three episodes it turns out that nobody took the money. It never moved. Álvaro, then a teenager the bank had just refused a loan, had quietly redirected the account pages to fake ones that showed zero. A boy’s prank against a bank manager, which a town turned into a quarter of a century of suspicion.

How it was made

The hardest format

Talking head plus dramatised reenactment is documentary grammar, and it only works if the person on screen stays exactly the same person for five and a half minutes of unbroken close-up. There is nowhere to hide: no cutaway saves a face that drifts.

The same face, twenty-six years apart

Álvaro is a teenager in the flashbacks and a middle-aged man in his own interview, and the audience has to make the connection unprompted — because the whole ending depends on it. Ageing a cast in both directions while keeping it recognisable has nothing to do with prompting and everything to do with choosing a face you can build on.

Testimony that contradicts itself

In a mockumentary the flashback does not show what happened — it shows what the person talking says happened. The same night in the bank is filmed more than once, with a different culprit each time, and the images have to be equally convincing every time or the reveal has nothing to land against.

Ready to travel

The 5:27 cut is delivered with English subtitles baked in, at 4K. It is the one piece in our catalogue that can be sent to an international festival exactly as it is.

Stills

Rosa in her armchair, taking off her glasses, talking to camera
INT. LIVING ROOM — ROSA’S TESTIMONY
Faces lit by candles and lighters, watching a screen in the dark
INT. CAFÉ — 31.12.1999, 23:59
José at a bank terminal at night, wearing gloves
INT. BANK — AS ROSA TELLS IT
A teenage Álvaro at the same bank terminal at night
INT. BANK — WHAT ACTUALLY HAPPENED
Álvaro today, interviewed in his internet café
INT. INTERNET CAFÉ — ÁLVARO, 2026
José shaving in a red bedroom
INT. BEDROOM — JOSÉ
Rosa at the roulette table surrounded by men in dinner jackets
INT. CASINO — THE TABLE
An aircraft on the tarmac with boarding stairs
EXT. AIRPORT — DEPARTURE
Rosa alone in the wide living room
INT. LIVING ROOM — WIDE

Watch

Episode 1

Episode 2

Let’s talk about it

If you want something like this for your brand, the first step is a conversation, not a quote.

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